overlook hotel records Tag

Try It animated

Try It: New 70s Library Funk by Cinema Groove Collective

Cinema Groove Collective – Try It

Try It single cover art by Cinema Groove Collective

Out now on Overlook Hotel Records

Cinema Groove Collective has officially released their latest single, Try It. This track is a dedicated homage to the golden era of 1970s library funk, channeling the spirit of grainy film aesthetics, high-speed car chases, and the gritty atmosphere of vintage cop show soundtracks. If you appreciate authentic groove music with a cinematic edge, Try It was made for you.

The Groove and The Low End

The standout feature of this release is undoubtedly the bass work. The track spotlights the remarkable playing of Dutch musician Ralph van der Heijden. His performance is a masterclass in “in-the-pocket” playing, deep, melodic, and driving. From the very first bar, his bass line locks in with the drums to provide a solid, unwavering foundation that allows the rest of the instrumentation to breathe and shine. It is this rhythm section interplay that gives the track its undeniable forward momentum.

What is “Library Funk”?

For those unfamiliar with the term, “Library Music” refers to production music created for film, television, and radio licensing in the 1960s and 70s. Labels like KPM, De Wolfe, and Bruton Music hired top-tier session musicians to record thousands of tracks that ranged from orchestral sweeps to hard-hitting funk.

These records, originally meant for industry use only, became holy grails for hip-hop producers and vinyl collectors decades later. Try It captures the specific “needle-drop” energy of that era, music that feels like it was lifted straight from a dusty reel found in a London archive.

The Analog Production Process

Produced and arranged at Overlook Hotel Records, the recording process for Try It focused heavily on texture and authenticity. To achieve that specific 1975 sound, the production leans into warm, analogue-leaning saturation.

The mix is characterized by tight, dry drums, brassy accents that punch through the mix, and a slight “tape saturation” that adds to the vintage character. By avoiding the pristine, digital sheen of modern pop production, the Cinema Groove Collective ensures that the listener is transported back in time the moment the play button is pressed.

Full Credits

  • Bass & Instrumentation: Ralph van der Heijden
  • Keyboards & Percussion: Kevin Hartnell
  • Production, Arrangement, Mixing, & Mastering: Kevin Hartnell at Overlook Hotel Records
  • Project: Cinema Groove Collective
  • Release Date: October 1, 2025
  • Catalog Number: R237-119

You can stream Try It now on Spotify and all major streaming platforms. Add it to your playlist today and keep the funk alive.

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OVERLOOK HOTEL RECORDS TURNS 26

Overlook Hotel Records: 26 Years of Independent Innovation

Overlook Hotel Records: 26 Years of Independent Innovation

⌬⌬⌬⌬⌬⌬⌬⫷ OVERLOOK HOTEL RECORDS ⫸⌬⌬⌬⌬⌬⌬⌬

Founded in August 1999, Overlook Hotel Records began as a personal creative outlet and has since evolved into an independent label and archive, releasing music that is weird, beautiful, experimental, and occasionally rediscovered from the vault.

A Bit of History

The foundation for Overlook Hotel Records was laid in the early 1990s when I was living in Nashville, Tennessee. I owned an Amiga 500 and was using OctaMED to create music modules, inspired by musicians such as Dr. Awesome, Jesper Kyd, and Frédéric “Elmobo” Motte (not to be confused with the American artist Moby). The 8-bit sampling and digital audio editing possibilities were endlessly fascinating to me.

If you would like to read the full background on my electronic music origins, you can find that here: Origin Story.

In late 1993, I moved to Cincinnati, settling into an apartment just a block away from the legendary Sudsy Malone’s and Bogart’s, two essential music venues of the time. By the late 1990s, I owned a Korg Triton and had already begun learning the early versions of Pro Tools.

It was during this period that a friend of mine, Paul, came down from New York City to record a handful of tracks. We released them independently. That effort marked the true beginning of Overlook Hotel Records – and of a lifelong, all-consuming passion for writing and recording music. It eventually led to the construction of a modest home studio, where much of the label’s output has taken shape.

The Creative Drive

Although I have nearly fifty years of experience as a drummer, what I find most fulfilling is the process of songwriting, arranging, and producing. Since childhood, I have been captivated by the mystery of music – its construction, its origin, and the people behind it. I spent countless hours singing or drumming along to records, trying to replicate what I heard using the instruments I had on hand. That natural curiosity evolved into creating my own interpretations, variations, and eventually, entirely original compositions.

It was only once I began focusing on becoming a multi-instrumentalist that everything truly expanded. Rhythm and grooves have always come naturally – but melody is where the real magic unfolds for me.

Remembering the People

I have had the privilege of working with many musicians over the years, some of whom were extraordinarily talented. A few are no longer with us. One of them was a best friend from high school – an astonishing guitarist with a surreal sense of humor, ambition, and vision. His eccentricities gave the impression he came from another planet, which I absolutely loved. He had moved to California to find his place in the music scene and had asked me to move there as well. At the time, I was still living in a small town, holding on to a short-sighted viewpoint of things. Tragically, he died in a car accident just before his twenty-first birthday.

It was because of him that I first picked up the guitar. That moment eventually led to buying my own Fender Stratocaster, then keyboards, bass, and so on. His influence continues to echo in some capacity  through nearly everything I create.

Now, decades later, I have worked on thousands of recordings and continue to make it a part of my daily life.

Catalog Stats

  • 36 LPs
  • 7 EPs
  • 74 Singles
  • 871 Tracks
  • 17, 729 Folders
  • 472,050 files
  • 4.09 TB

Total music duration: 1 day, 16 hours, 18 minutes, and 51 seconds

Genres

  • Synthwave / Synthpop
  • Medieval
  • Bellydance / Middle Eastern
  • Post-Punk / Darkwave
  • Progressive Rock / Classic Rock
  • Glam / Sludge / Doom
  • Disco / Psychedelic
  • Giallo / Score / Soundtrack
  • Industrial / Dark Ambient
  • Americana / Folk / Southern Rock

And plenty that defies categorization altogether.

Notable Highlights

  • Most Prolific Year: 2024, with 51 new releases
  • Longest Release: Disturbed by Kevin Hartnell (3:58:26) – R237-036
  • Shortest Release: Retro Ident by Plastic Horizon (0:00:11) – R237-093
  • Most Tracks on One Release: The Sounds of Nightmares 5 (55 tracks) – R237-029
  • Curious Match: Echoes by Plastic Horizon (R237-039) runs exactly 2:37 – matching the label code

The vault holds hundreds of unreleased tracks, with new material written and recorded every week – sometimes daily.

Overlook Hotel Records is not just a label. It’s a living archive of underground sound.

Thanks to everyone who’s listened, collaborated, supported, or wandered through these sonic hallways.

⧉═══════〔 KEVIN 〕═══════⧉

A pile of magnetic tape in a soft focus, nostalgic look.

Musicians

Thanks is due to each of these musicians:

  • Daniel Åhlman
  • Bruno Andersen
  • John Andrews
  • Sonja Arnold
  • James Asokere
  • Dani Aviles
  • Nick Bailey
  • Jason Baity
  • Dan Baechle
  • Joe Bartoldus
  • Trevor Bates
  • JC Beziz
  • Vic Bonato
  • Troy Brant
  • Rich Brown
  • Kelly Bushue
  • Michael Carta
  • Mike Cavanaugh
  • Brent Chasteen
  • Rob Ciccone
  • Stuart Clements
  • Doug Cosby
  • Kevin Daniels
  • Chuck Davidson
  • Jimmy D. Davidson
  • Troy Davis
  • Chris Donnelly
  • Xan Eden
  • Henri Eisenbaum
  • Toby Ellis
  • Mark Engel
  • Sergey Engel
  • Danny Evans
  • Daniel Fagg
  • Ralph Feetham
  • Jannik Fuchs-Gade
  • Asaf Gabay
  • Todd Gerber
  • Rob Glass
  • Mika Greiner
  • Michael Duane Hancock
  • Jason Harding
  • Devon Hartnell
  • Vincent Hammerstein
  • Anja Herrmann
  • William Hezlep
  • Ric Hickey
  • Kyle Hinck
  • Jim Hill
  • Joe Hill
  • August Hoerr
  • Darren Houghton
  • Jason Hotchkiss
  • Mike Huang
  • Mark Hudson
  • Tony Inosencio
  • Jack Ison
  • David Johnson
  • David Jones
  • Mark Joscher
  • Marty Keil
  • Richard Kean
  • Mark Kenneth
  • Dan Kieffer Sr.
  • Frank Kennedy
  • Stefanie Kisamore
  • Todd Kirby
  • Kazuki Kozuru
  • David Kuckhermann
  • Bruce Livesay
  • Derek Mason
  • Andrew May
  • Ann May
  • Jim Mays
  • Ronnie Meyers
  • Jack Mills
  • Jeff Mills
  • Mini
  • Keith Morgan
  • Warren G. Morgan
  • Frank Motör
  • Ambrose Newton
  • Fredrik Notling
  • Diego Almeida Torres
  • Dan Olivera
  • Lawrence Osborn
  • Rune Palland
  • Raveen Panday
  • Philippe Pansard
  • Josh Paulino
  • Bjorn Pehrson
  • Ian Pellow
  • Herman Perry
  • Magne Pettersson
  • Jeremy Pittman
  • Anders Plassgard
  • Roy Peters
  • Scott Ponder
  • Deanna Quijada
  • Dave Quick
  • Peter Rand
  • Tim Reid
  • Greg Reynolds
  • Kip Roe
  • Larry Rone
  • Seido Salifoski
  • Barry Shook
  • Jon Silpayamanant
  • Larry Smith
  • Sabine Stola
  • Antoni Tashev
  • Gary Teel
  • Judy Teo
  • Henry Thomas Jr.
  • Ian Tsang
  • Steve Tucker
  • Ralph van der Heijden
  • Hakan Vreskala
  • John Walker III
  • Andrew Wells-Oberegger
  • Jonathan David West
  • Bryce Whitcomb
  • Jason Whitcomb
  • Tyler Whitcomb
  • Mat Williams
  • Richard Williams
  • Jay Wilson

((( ● LISTEN ● )))

((( ● LISTEN ● )))

In the Mist header

Plastic Horizon: “In the Mist” – Hauntology & Synthwave Single

Plastic Horizon - In the Mist cover art

Plastic Horizon: “In the Mist”

Overlook Hotel Records presents “In the Mist,” a new single from Plastic Horizon blending Hauntology and Synthwave.

Surprise! Back to back new release days! “In the Mist” is a new single from Plastic Horizon (Catalog R237-087), released July 5, 2024.

This track serves as a sonic exploration of the “Public Broadcast” soundset for the TAL-Pha synthesizer by Oblivion Sound Lab. It was originally created to demonstrate the analog character of these patches, which celebrate the nostalgic electronic sounds of the late 1970s and early 1980s.

The Sound of “In the Mist”

Finding inspiration in vintage library music, VHS idents, and synth-heavy television scores, “In the Mist” channels the same dusty aesthetic popularized by artists like Boards of Canada, Pye Corner Audio, and HOME. It is a trip back in time to the heyday of analog synthesis.

Stream & Download

“In the Mist” is available now on all major streaming platforms.

Plastic Horizon - In The Mist cover art animated

Credits

©2024 Overlook Hotel Records

Before After Again - Solitude cover art

Solitude: New Atmospheric Darkwave from Before After Again

Before After Again - Solitude cover art

It’s New Release Day here at Overlook Hotel Records! We are proud to present “Solitude,” the latest darkwave track from Before After Again.

An Atmosphere of Isolation

This isn’t just a song; it’s an atmosphere. “Solitude” captures the suffocating feeling of being trapped within one’s own mind, where the silence is loud and the walls are closing in. With driving synth lines and melancholic vocals, the track explores the tension between wanting to escape the “twisted mind” and finding comfort in the isolation.

Lyrics

Ten years of solitude
I’ve spent my time with you
Watch as these walls all fall down

Don’t know if I can be
Alone inside my empty mind
The time unfolds

Don’t notice this silence for long
Can’t escape I’ve nowhere to run
Suffering inside I brings me down

Don’t worry it comes and it goes
Hidden deep so nobody knows
I’ll keep you safely inside

Confine my every move
Clenched hands but let me go too soon
The grip won’t do

I’m running out of time
You’re always right in back of my
Twisted mind

Listen & Support

Perfect for late-night listening in the dark, alone, or in the basement of an abandoned building, “Solitude” is available now on all major streaming platforms. You can support the artist directly by purchasing the track on Bandcamp or streaming it on Spotify using the players below.

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Cover art for Winds of March by Plastic Horizon

Winds of March: New Cinematic Synthwave from Plastic Horizon

Cover art for Winds of March by Plastic Horizon

Plastic Horizon returns to Overlook Hotel Records with “Winds of March,” a track that bridges the gap between atmospheric soundscapes and driving synth-rock energy.

A Cinematic Slow Burn

Drawing heavily from the visual language of Blade Runner and the nostalgic adrenaline of the Outrun aesthetic, this single is a study in tension and release. It does not rush; instead, it invites the listener into a dark, cinematic space.

The track begins with a “dark and easy” introduction, a slow burn of brooding pads and distant melodies that evoke the feeling of a solitary walk through a rain-slicked futuristic city. But as the “winds” pick up, so does the intensity. The composition patiently layers its elements, building a wall of sound that eventually breaks into a full-throttle synthwave rock anthem.

Listen & Support

This dynamic shift makes “Winds of March” the perfect companion for a late-night drive. It captures that specific moment when the empty road stretches out before you, the city lights blur into streaks of neon, and the only option is to turn the volume up and drive.

“Winds of March” is available now on all major streaming platforms. You can support the artist directly by purchasing the track on Bandcamp or streaming it on Spotify using the players below.

Stream & Download
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Cover art for Decay by Before After Again

Decay: New Driving Synthpop from Before After Again

Cover art for Decay by Before After Again

It’s New Release Day here at Overlook Hotel Records! We are proud to present “Decay,” the latest high-energy track from Before After Again.

The Sound of Decay

“Decay” is a study in contrast. It opens with a stripped-down, fairly quick pulse, a driving beat that feels urgent and immediate. This minimal approach in the verses creates a tension that demands release, which arrives in the form of a rich, expansive chorus.

The production here leans heavily into the “wall of sound” aesthetic during the bridge and chorus, utilizing layered synths to create a feeling of overwhelming motion. It is a track that sounds best when cranked up loud, allowing the listener to get lost in the “spin.”

Lyrics

Hold on this won’t take but a moment
Your head spins like a top goes round, round, round
Please understand this is intention
Not necessarily I’m down, down, down

I love the way you drop
The pieces on the floor
Decay of every touch
A slip away into nothing

You bind the ties that take us under
My grip it squeezes you for more, more, more
Shake lips and let me know when it’s over
You know it’s what we have in store, store, store

I love the way you drop
The pieces on the floor
Decay of every touch
A slip away into nothing

Listen & Support

“Decay” is available now on all major streaming platforms. You can support the artist directly by purchasing the track on Bandcamp or streaming it on Spotify using the players below.

Stream & Download
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Cover art for When by Before After Again

When: New Synth-Driven Ballad from Before After Again

Cover art for When by Before After Again

Slowing things down, Before After Again presents “When,” an introspective ballad that stands in stark contrast to the band’s heavier material.

A Delicate Start

“When” begins with a delicate synth melody and vulnerable vocals. It is a song about hindsight, asking the difficult questions that only arise after the damage has been done. The track slowly builds from its intimate beginnings, layering in strings, E-Bow, and electronic elements to create a cinematic swell of emotion. It captures the feeling of standing in the wreckage of a relationship, wondering how things got to this point.

This release showcases the versatility of Before After Again, proving they are just as capable of quiet devastation as they are of industrial aggression.

Lyrics

Chalk white skin
What a delicate stare
Color my face
Shameful and undone

When will this feel
Like it did once before?
How will I know
When the pain comes around?

When will I ever feel
Happy again?
I wonder

Lay your head down
Close your eyes and rest
Shudder to think
That we’ve done this all before

Shed some sympathy
Swallow the lies
Shed insecurity
And make it less

Close myself in
Away from everything
And try to ignore
Screaming voices in my head

When will this feel
Like it did once before?
How will I know
When the pain comes around?

When will I ever feel
Happy again?
I wonder

Listen & Support

“When” is available now on all major streaming platforms. You can support the artist directly by purchasing the track on Bandcamp or streaming it on Spotify using the players below.

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Overlook Hotel Records Logo

Welcome to the New Overlook Hotel Records Website!

Overlook Hotel Records rotating logo animation

Thank you for stopping by the new home of the independent record label Overlook Hotel Records! Overlook Hotel Records was founded in 1999 in Cincinnati, Ohio by Kevin Hartnell and features over 50 releases and counting.

  • Synthwave (Plastic Horizon)
  • Post-Punk (Cambium)
  • Darkwave (Before After Again)
  • Progressive Rock (NGC 891, The Antoni Tashev Project)
  • Pop/Indie (Dronefly, Mothsounds)
  • Disco (Future Circuit)
  • Psychedelic Rock (Trinity & Triage)
  • Giallo (Alchimia Sonora)
  • Sludge/Doom (THAL, Ironleaf)
  • Glam Rock/Metal (V1CTOR, Plassgard)
  • Dark Ambient (Kevin Hartnell)
  • Classic Rock (The Three Minstrels)
  • Folk/Traditional (Trakia)
  • Industrial (Sinistrad)
  • Instrumental/Soundtrack/Score (Kevin Hartnell)

Check out the discography and find something new to listen to today!

https://overlookhotelrecords.bandcamp.com/

https://soundcloud.com/user-296382186-490447336?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Cover art for Hell of a Friend by Before After Again

Hell of a Friend: New Industrial Darkwave from Before After Again

Cover art for Hell of a Friend by Before After Again

Before After Again turns up the grit with “Hell of a Friend,” a track that leans heavily into the industrial side of the darkwave spectrum.

Demons Within

“Hell of a Friend” is driven by a distorted, mechanical beat and aggressive synth textures. It explores the darker corners of the psyche, specifically the “demons within” that we run from, only to find them waiting for us again. The lyrics paint a picture of a cyclical struggle, where the darkness isn’t just an enemy, but a familiar, albeit destructive, companion.

With influences ranging from early industrial rock to modern dark synth, this track is dense, heavy, and perfect for those who prefer their electronic music with a bit of an edge.

Lyrics

Don’t say a word they won’t understand
Everything ends and it starts again
Everyone runs from the demons within
Then we go back to bed it’s a hell of a friend

Take what is yours and break while you bend
Fading away while the past comes again
Falling on down on the darkness within
Never coming back it’s a hell of a friend

Don’t stop running you’ll find out for yourself
The time heals wounds and the scars that you felt
Everyone knows that you’re out of your mind
If you found something else now there’s nothing inside

Listen & Support

“Hell of a Friend” is available now on all major streaming platforms. You can support the artist directly by purchasing the track on Bandcamp or streaming it on Spotify using the players below.

Stream & Download
Recommendations
Cover art for Aeon by Plastic Horizon

Aeon: New 80s-Inspired Synthpop from Plastic Horizon

Cover art for Aeon by Plastic Horizon

Plastic Horizon delivers a dynamic listening experience with “Aeon,” a track that takes the listener on a journey through the sounds of the early 80s.

Big Energy, Classic Vibes

“Aeon” doesn’t ease you in; it opens with a bombastic, larger-than-life intro that immediately grabs your attention. From there, it shifts gears into an uptempo, New Wave synthpop rhythm reminiscent of bands like Berlin. The driving bass and shimmering synths create a sense of urgency and excitement that defines the golden era of the genre.

The Breakdown and Outro

Just when you settle into the groove, the track returns to the massive scale of the introduction, creating a powerful peak before fading out. The song wraps up with a soft, gentle arpeggio sequence, a perfect “cool down” after the high-energy ride.

Listen & Support

“Aeon” is available now on all major streaming platforms. You can support the artist directly by purchasing the track on Bandcamp or streaming it on Spotify using the players below.

Stream & Download
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