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Try It single cover art by Cinema Groove Collective

Try It: New 70s Library Funk by Cinema Groove Collective

Cinema Groove Collective – Try It

Try It single cover art by Cinema Groove Collective

Out now on Overlook Hotel Records

Cinema Groove Collective has officially released their latest single, Try It. This track is a dedicated homage to the golden era of 1970s library funk, channeling the spirit of grainy film aesthetics, high-speed car chases, and the gritty atmosphere of vintage cop show soundtracks. If you appreciate authentic groove music with a cinematic edge, Try It was made for you.

The Groove and The Low End

The standout feature of this release is undoubtedly the bass work. The track spotlights the remarkable playing of Dutch musician Ralph van der Heijden. His performance is a masterclass in “in-the-pocket” playing, deep, melodic, and driving. From the very first bar, his bass line locks in with the drums to provide a solid, unwavering foundation that allows the rest of the instrumentation to breathe and shine. It is this rhythm section interplay that gives the track its undeniable forward momentum.

What is “Library Funk”?

For those unfamiliar with the term, “Library Music” refers to production music created for film, television, and radio licensing in the 1960s and 70s. Labels like KPM, De Wolfe, and Bruton Music hired top-tier session musicians to record thousands of tracks that ranged from orchestral sweeps to hard-hitting funk.

These records, originally meant for industry use only, became holy grails for hip-hop producers and vinyl collectors decades later. Try It captures the specific “needle-drop” energy of that era, music that feels like it was lifted straight from a dusty reel found in a London archive.

The Analog Production Process

Produced and arranged at Overlook Hotel Records, the recording process for Try It focused heavily on texture and authenticity. To achieve that specific 1975 sound, the production leans into warm, analogue-leaning saturation.

The mix is characterized by tight, dry drums, brassy accents that punch through the mix, and a slight “tape saturation” that adds to the vintage character. By avoiding the pristine, digital sheen of modern pop production, the Cinema Groove Collective ensures that the listener is transported back in time the moment the play button is pressed.

Full Credits

  • Bass & Instrumentation: Ralph van der Heijden
  • Keyboards & Percussion: Kevin Hartnell
  • Production, Arrangement, Mixing, & Mastering: Kevin Hartnell at Overlook Hotel Records
  • Project: Cinema Groove Collective
  • Release Date: October 1, 2025
  • Catalog Number: R237-119

You can stream Try It now on Spotify and all major streaming platforms. Add it to your playlist today and keep the funk alive.

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Locked In Motion single art by Plastic Horizon

Locked In Motion: New Synthwave Single by Plastic Horizon

Plastic Horizon has officially released the highly anticipated new single Locked In Motion. Drawing heavily on classic outrun and synthwave influences, this track represents a bold step forward for the project, blending 1980s nostalgia with modern production techniques.

A Deep Dive into Locked In Motion

If you are a fan of driving rhythms and neon-soaked atmospheres, Locked In Motion delivers exactly what you are looking for. The track is built around a relentless bassline that propels the listener forward, layered with shimmering synth textures that evoke images of late-night drives and retro-futuristic cityscapes.

One of the standout moments in the track is the bridge. Plastic Horizon strips back the dense layers for a percussion-focused breakdown that adds dynamic contrast without interrupting the song’s forward momentum. It is a technique that keeps the energy high from start to finish.

About Plastic Horizon

As a key artist on the Overlook Hotel Records roster, Plastic Horizon continues to produce music that resonates with fans of the Retrowave and Dreamwave genres. Locked In Motion follows a string of successful releases that have defined the artist’s signature sound: emotive melodies paired with kinetic energy.

Stream & Download Locked In Motion

The single is available now on all major platforms. You can support the artist directly by purchasing the track on Bandcamp or streaming it on Spotify. Add it to your driving playlist today and experience the rush of Locked In Motion.

Locked In Motion single art by Plastic Horizon
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Meridian Drift single cover art by Plastic Horizo

Meridian Drift: New Dreamwave Single by Plastic Horizon

Plastic Horizon invites listeners to slow down and look upward with the release of the new single, Meridian Drift. Moving away from high-octane beats, this track leans heavily into a slower, dreamy synthwave atmosphere, offering a sonic escape for those seeking reflection.

A Journey Into Dreamwave

Meridian Drift is a journey into mood. It features shimmering textures and lush, reverb-heavy pads that evoke the feeling of a late-night drive under a canopy of stars. The production focuses on space and depth, allowing the listener to drift along with the melody rather than being pushed by it.

This release captures the essence of the “chillwave” and “dreamwave” sub-genres, prioritizing emotion and atmosphere over aggression. It is a track designed to transport you toward an ocean of stars and the limitless horizons beyond.

Listen & Support

Released by Overlook Hotel Records, this single adds a serene chapter to the Plastic Horizon catalog. It stands as a testament to the versatility of synth music, proving that quiet moments can be just as powerful as loud ones.

Stream Meridian Drift Now

Meridian Drift is available now on all major streaming platforms. You can support the artist directly by purchasing the track on Bandcamp or streaming it on Spotify using the players below.

Meridian Drift single cover art by Plastic Horizo
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Rainswept Skyline single cover art by Plastic Horizon

Rainswept Skyline: New Synthwave Single by Plastic Horizon

Plastic Horizon invites you to take a walk through a digital city with the release of the new single, Rainswept Skyline. This track leans heavily into a late-night, reflective synthwave atmosphere, combining lush, layered pads with a steady, driving groove that feels like a lonely drive down a neon-lit highway.

From High-Fidelity to 8-Bit Dreams

The defining moment of Rainswept Skyline comes in its final minute. As the main melody fades, the track undergoes a unique sonic transformation. The high-fidelity production slowly dissolves, degrading bit by bit until the listener is left in a completely different world.

This closing section features an 8-bit-inspired fade that shifts the mood entirely toward a retro-digital space. It creates a dreamlike effect, pulling the listener into a pixelated world where it is raining in a city at night, a perfect sonic representation of 1990s video game nostalgia meeting modern synthwave production.

Release Details

Released via Overlook Hotel Records, this single continues Plastic Horizon’s exploration of narrative-driven electronic music. It stands out in the discography for its unique structural evolution and emotive storytelling without words.

Stream Rainswept Skyline Now

Rainswept Skyline is available now on all major streaming platforms. You can support the artist directly by purchasing the track on Bandcamp or streaming it on Spotify using the players below.

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Plastic Horizon - Friday the 13th cover art

Friday the 13th: New Darkwave Single by Plastic Horizon

On the ominous date of Friday, June 13, 2025, Plastic Horizon officially released the single Friday the 13th. Capturing the eerie essence of the date, this track delivers an atmospheric blend of retro-inspired synth textures and heavy darkwave tones.

A Soundtrack for Superstition

Few dates carry as much cultural weight as Friday the 13th, and Plastic Horizon leans heavily into this mystique. The track serves as a sonic nod to superstition, utilizing minor-key arpeggios and reverb-drenched percussion to create a soundscape that feels like it belongs in a vintage horror soundtrack.

While staying true to the project’s synthwave roots, this release explores darker territory. It moves away from neon sunsets and into the shadows, offering listeners a tense, cinematic experience that builds suspense from the first measure to the last.

Release Details

Released via Overlook Hotel Records, this single marks another distinct entry in the Plastic Horizon discography. It showcases the artist’s ability to shift moods, transitioning from high-energy outrun to brooding atmospheric composition.

Stream Friday the 13th Now

Friday the 13th is available now on all major streaming platforms. You can support the release by purchasing it directly on Bandcamp or streaming it on Spotify using the players below.

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OVERLOOK HOTEL RECORDS TURNS 26

Overlook Hotel Records: 26 Years of Independent Innovation

Overlook Hotel Records: 26 Years of Independent Innovation

⌬⌬⌬⌬⌬⌬⌬⫷ OVERLOOK HOTEL RECORDS ⫸⌬⌬⌬⌬⌬⌬⌬

Founded in August 1999, Overlook Hotel Records began as a personal creative outlet and has since evolved into an independent label and archive, releasing music that is weird, beautiful, experimental, and occasionally rediscovered from the vault.

A Bit of History

The foundation for Overlook Hotel Records was laid in the early 1990s when I was living in Nashville, Tennessee. I owned an Amiga 500 and was using OctaMED to create music modules, inspired by musicians such as Dr. Awesome, Jesper Kyd, and Frédéric “Elmobo” Motte (not to be confused with the American artist Moby). The 8-bit sampling and digital audio editing possibilities were endlessly fascinating to me.

If you would like to read the full background on my electronic music origins, you can find that here: Origin Story.

In late 1993, I moved to Cincinnati, settling into an apartment just a block away from the legendary Sudsy Malone’s and Bogart’s, two essential music venues of the time. By the late 1990s, I owned a Korg Triton and had already begun learning the early versions of Pro Tools.

It was during this period that a friend of mine, Paul, came down from New York City to record a handful of tracks. We released them independently. That effort marked the true beginning of Overlook Hotel Records – and of a lifelong, all-consuming passion for writing and recording music. It eventually led to the construction of a modest home studio, where much of the label’s output has taken shape.

The Creative Drive

Although I have nearly fifty years of experience as a drummer, what I find most fulfilling is the process of songwriting, arranging, and producing. Since childhood, I have been captivated by the mystery of music – its construction, its origin, and the people behind it. I spent countless hours singing or drumming along to records, trying to replicate what I heard using the instruments I had on hand. That natural curiosity evolved into creating my own interpretations, variations, and eventually, entirely original compositions.

It was only once I began focusing on becoming a multi-instrumentalist that everything truly expanded. Rhythm and grooves have always come naturally – but melody is where the real magic unfolds for me.

Remembering the People

I have had the privilege of working with many musicians over the years, some of whom were extraordinarily talented. A few are no longer with us. One of them was a best friend from high school – an astonishing guitarist with a surreal sense of humor, ambition, and vision. His eccentricities gave the impression he came from another planet, which I absolutely loved. He had moved to California to find his place in the music scene and had asked me to move there as well. At the time, I was still living in a small town, holding on to a short-sighted viewpoint of things. Tragically, he died in a car accident just before his twenty-first birthday.

It was because of him that I first picked up the guitar. That moment eventually led to buying my own Fender Stratocaster, then keyboards, bass, and so on. His influence continues to echo in some capacity  through nearly everything I create.

Now, decades later, I have worked on thousands of recordings and continue to make it a part of my daily life.

Catalog Stats

  • 36 LPs
  • 7 EPs
  • 74 Singles
  • 871 Tracks
  • 17, 729 Folders
  • 472,050 files
  • 4.09 TB

Total music duration: 1 day, 16 hours, 18 minutes, and 51 seconds

Genres

  • Synthwave / Synthpop
  • Medieval
  • Bellydance / Middle Eastern
  • Post-Punk / Darkwave
  • Progressive Rock / Classic Rock
  • Glam / Sludge / Doom
  • Disco / Psychedelic
  • Giallo / Score / Soundtrack
  • Industrial / Dark Ambient
  • Americana / Folk / Southern Rock

And plenty that defies categorization altogether.

Notable Highlights

  • Most Prolific Year: 2024, with 51 new releases
  • Longest Release: Disturbed by Kevin Hartnell (3:58:26) – R237-036
  • Shortest Release: Retro Ident by Plastic Horizon (0:00:11) – R237-093
  • Most Tracks on One Release: The Sounds of Nightmares 5 (55 tracks) – R237-029
  • Curious Match: Echoes by Plastic Horizon (R237-039) runs exactly 2:37 – matching the label code

The vault holds hundreds of unreleased tracks, with new material written and recorded every week – sometimes daily.

Overlook Hotel Records is not just a label. It’s a living archive of underground sound.

Thanks to everyone who’s listened, collaborated, supported, or wandered through these sonic hallways.

⧉═══════〔 KEVIN 〕═══════⧉

A pile of magnetic tape in a soft focus, nostalgic look.

Musicians

Thanks is due to each of these musicians:

  • Daniel Åhlman
  • Bruno Andersen
  • John Andrews
  • Sonja Arnold
  • James Asokere
  • Dani Aviles
  • Nick Bailey
  • Jason Baity
  • Dan Baechle
  • Joe Bartoldus
  • Trevor Bates
  • JC Beziz
  • Vic Bonato
  • Troy Brant
  • Rich Brown
  • Kelly Bushue
  • Michael Carta
  • Mike Cavanaugh
  • Brent Chasteen
  • Rob Ciccone
  • Stuart Clements
  • Doug Cosby
  • Kevin Daniels
  • Chuck Davidson
  • Jimmy D. Davidson
  • Troy Davis
  • Chris Donnelly
  • Xan Eden
  • Henri Eisenbaum
  • Toby Ellis
  • Mark Engel
  • Sergey Engel
  • Danny Evans
  • Daniel Fagg
  • Ralph Feetham
  • Jannik Fuchs-Gade
  • Asaf Gabay
  • Todd Gerber
  • Rob Glass
  • Mika Greiner
  • Michael Duane Hancock
  • Jason Harding
  • Devon Hartnell
  • Vincent Hammerstein
  • Anja Herrmann
  • William Hezlep
  • Ric Hickey
  • Kyle Hinck
  • Jim Hill
  • Joe Hill
  • August Hoerr
  • Darren Houghton
  • Jason Hotchkiss
  • Mike Huang
  • Mark Hudson
  • Tony Inosencio
  • Jack Ison
  • David Johnson
  • David Jones
  • Mark Joscher
  • Marty Keil
  • Richard Kean
  • Mark Kenneth
  • Dan Kieffer Sr.
  • Frank Kennedy
  • Stefanie Kisamore
  • Todd Kirby
  • Kazuki Kozuru
  • David Kuckhermann
  • Bruce Livesay
  • Derek Mason
  • Andrew May
  • Ann May
  • Jim Mays
  • Ronnie Meyers
  • Jack Mills
  • Jeff Mills
  • Mini
  • Keith Morgan
  • Warren G. Morgan
  • Frank Motör
  • Ambrose Newton
  • Fredrik Notling
  • Diego Almeida Torres
  • Dan Olivera
  • Lawrence Osborn
  • Rune Palland
  • Raveen Panday
  • Philippe Pansard
  • Josh Paulino
  • Bjorn Pehrson
  • Ian Pellow
  • Herman Perry
  • Magne Pettersson
  • Jeremy Pittman
  • Anders Plassgard
  • Roy Peters
  • Scott Ponder
  • Deanna Quijada
  • Dave Quick
  • Peter Rand
  • Tim Reid
  • Greg Reynolds
  • Kip Roe
  • Larry Rone
  • Seido Salifoski
  • Barry Shook
  • Jon Silpayamanant
  • Larry Smith
  • Sabine Stola
  • Antoni Tashev
  • Gary Teel
  • Judy Teo
  • Henry Thomas Jr.
  • Ian Tsang
  • Steve Tucker
  • Ralph van der Heijden
  • Hakan Vreskala
  • John Walker III
  • Andrew Wells-Oberegger
  • Jonathan David West
  • Bryce Whitcomb
  • Jason Whitcomb
  • Tyler Whitcomb
  • Mat Williams
  • Richard Williams
  • Jay Wilson

((( ● LISTEN ● )))

((( ● LISTEN ● )))

Before After Again returns with "These Are Not Men," a darkwave anthem about the machinery of power and dehumanization. Stream it now.

These Are Not Men: New Darkwave Single by Before After Again

Before After Again returns with a stark new release titled These Are Not Men. This track is a darkwave transmission from the edges of control and collapse, blending icy analog synthesis with a precise, mechanical rhythmic structure.

The Machinery of Power

Lyrically blunt and sonically sharpened, These Are Not Men examines the machinery of power and the erosion of identity in its wake. The song channels themes of dehumanization, spectacle, and decay into a hypnotic synth-laced performance. It is not a song for dancing away the end of the world; it is a soundtrack for those who sit still and watch it burn.

The refrain, “I’ll be here standing down, smiling while we watch you die…” captures the cold detachment of the observer. There is no catharsis here, only the quiet certainty that what we are witnessing isn’t human anymore. It is a harsh anthem for collapsing systems and the monsters they breed.

Release Information

Released via Overlook Hotel Records, this single solidifies the band’s reputation for crafting dense, thought-provoking electronic music. It is a must-listen for fans of minimal synthpop and industrial-tinged darkwave.

Stream These Are Not Men Now

These Are Not Men is available now on all major streaming platforms. You can support the band directly by purchasing the track on Bandcamp or streaming it on Spotify using the players below.

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Weakness single cover art by Before After Again

Weakness: New Synthpop Single by Before After Again

Before After Again has released a powerful new single titled Weakness. This track seamlessly blends the structural hooks of classic synthpop with the emotional weight of darkwave, creating a soundscape that obsesses over collapse, control, and finding beauty within the wreckage.

Deconstructing “Weakness”

From the opening notes, Weakness establishes a mood of tension. The lyrics paint a picture of internal conflict and external chaos. Lines like “Loss of all security” and “Blinded eyes that can’t believe what’s happened” speak to a sudden, jarring shift in reality, a moment where the ground falls out from underneath you.

Musically, the track mirrors this instability. While the beat is driving and danceable, the synth textures are laced with melancholy. It is a song for the dancefloor at the end of the world, where the only option left is to let the music take you down.

Lyrical Themes

The chorus, “You’re my weakness, come and take me,” acts as both a confession and a surrender. It explores the dangerous allure of vulnerability. Is it a person, a habit, or a memory that serves as the weakness? The ambiguity allows the listener to project their own struggles onto the track, making it a deeply personal listening experience.

Listen Now

Released via Overlook Hotel Records, Weakness is available now on all major streaming platforms. You can support the band directly by purchasing the track on Bandcamp or streaming it on Spotify using the players below.

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Nothing Inside single cover art by Kevin Hartnell

Nothing Inside: New Single by Kevin Hartnell Feat. Timothy Reid

Continuing the ongoing archive series, I am excited to share a track that originated back in January of 2020. Titled Nothing Inside, this single explores the intersection of rock instrumentation and electronic production, resulting in one of the more dynamic entries in my catalog.

Featuring Timothy Reid

A major highlight of this release is the contribution from collaborator Timothy Reid. His guitar solo on this track is a resonant display of technical brilliance and emotional depth. It captures a specific, soaring quality that lifts the song’s energy in the bridge. For those familiar with his work, it is exactly the kind of melodic phrasing you have come to expect from such a talented musician.

Themes of De-Evolution

Lyrically and thematically, the song is inspired by the paradox of the modern age: the rapid advances in technology contrasted with what feels like a cultural regression. It asks the question of whether we are moving forward or sliding backward.

Perhaps the band DEVO was right all along about the concept of “de-evolution.” Nothing Inside is a sonic reflection on that idea, a critique of the emptiness that can hide behind a shiny, high-tech veneer.

Listen Now

You can stream Nothing Inside now on all major platforms. Visit the Kevin Hartnell Artist Page for more releases, or support the music directly on Bandcamp.

Kevin Hartnell - Nothing Inside cover art animated

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Cover art for In Answer to 'A' and Boiling Point by Kevin Hartnell

From the Archives: New Singles “In Answer to ‘A'” & “Boiling Point”

For Kevin Hartnell, the creative process has always involved a “vault,” a large backlog of music sitting in the archives, waiting for the right moment to surface. For any music producer who has been working for decades, this is a common reality.

In an effort to finally let these tracks see the light of day, I am actively working on releasing various new singles from different eras of my production history. Today, I am proud to present two distinct tracks that highlight very different sides of my catalog: “In Answer to ‘A'” and “Boiling Point.”

Kevin Hartnell on “In Answer to ‘A'”

“In Answer to ‘A'” has a long and winding history that spans nearly a quarter of a century. The original musical concept was written all the way back around 1999.

It was a time of experimentation, and while the core idea was strong, I was never quite satisfied with the initial interpretation. I felt limited by the technology I had at the time, and the sound in my head didn’t quite match what was coming out of the speakers.

In 2011, I revisited the composition. Armed with better tools and more experience, I created this specific version. It captures the mood I was originally aiming for, a blend of melodic introspection and structural complexity. However, despite being “finished” in 2011, it sat in limbo for another decade.

It was reviewed in 2021, abandoned yet again, until finally, this year, I decided it was time to bring it to the surface. Listening to it now, it serves as a time capsule. It bridges the gap between my early songwriting instincts and the modern production style that Kevin Hartnell listeners recognize today.

The Heat of “Boiling Point”

In stark contrast to the decades-long journey of the first track, “Boiling Point” is a much more recent creation. Originally produced in August of 2022, this track explores a more immediate, aggressive energy.

It was created during a burst of productivity but sat on the shelf for a short while as I focused on various other projects and label duties. The title “Boiling Point” reflects the tension within the track. It features driving rhythms and a sense of urgency that differs significantly from my older work.

Releasing it alongside an older track provides a fascinating look at the evolution of my sound. Where “In Answer to ‘A'” is calculated and evolved over years, “Boiling Point” is a snapshot of a specific, high-energy moment in the studio.

The Studio Workflow

Releasing archival music is an interesting challenge for any artist. There is always the temptation to “fix” old mixes or update sounds to modern standards. You often ask yourself if you should re-record the drums or update the synths.

However, with these Kevin Hartnell releases, the goal is to preserve the integrity of the time in which they were made. By clearing out the backlog, it clears mental space for future projects while allowing listeners to fill in the gaps of the artist’s discography. It is about honoring the past while clearing the path for the future.

Listen & Support

These tracks are now available for streaming and download. You can find more releases from my back catalog by visiting the Kevin Hartnell Discography.

To support the music directly, please consider purchasing the high-quality audio files via Bandcamp or adding them to your playlists on Spotify.

Kevin Hartnell - Boiling Point cover art animated

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