Music

Dronefly cover art

Dronefly: 10th Anniversary Remaster of the Dream Pop EP

Ten years ago today, we released a special project that holds a unique place in the Overlook Hotel Records catalog. The self-titled EP from Dronefly arrived with a blend of dream pop, shoegaze, and indie rock that still resonates a decade later.

To celebrate this milestone, the entire four-track EP has been remastered in 2024 and is now available on all of the usual streaming sites as well as for purchase/download on Bandcamp.

A Decade of Dronefly

Originally released on May 1, 2014, Dronefly was a collaboration that brought together distinct voices from the label’s roster. The project features the ethereal vocals and lyrics of Deanna Quijada (Trinity & Triage), supported by the intricate guitar work of Mike Chambers and the multi-instrumental production of Kevin Hartnell.

The result is a sound that balances the hazy, atmospheric textures of shoegaze with the melodic sensibilities of alternative rock. It is music for the “space between chords,” as one reviewer noted, a polished, weighted sound that feels like sinking into a comfortable chair.

Critical Reception

Upon its initial release, Dronefly garnered praise for its cohesive vibe and polished production.

Eric at NoObject highlighted the EP’s use of space, stating: “It’s the space between chords, between drum hits and between vocal lines that makes ‘Closer’ an incredible opener… Playing to the strengths of shoegaze as a genre, the track gives off a smooth weighted feeling.”

Samantha at TheEqualGround noted the band’s versatility: “All four of the songs on Dronefly’s album evoke a different vibe but they all so brilliantly coexist. This, to me, is a sure sign of a band that has potential.”

The 2024 Remaster

The new 2024 remaster, handled by the enigmatic Hector the Rat at the Overlook Hotel, breathes new life into these recordings. The layers of synths, Mellotron, and guitars are clearer, and Deanna’s vocals sit perfectly in the mix, inviting listeners to get lost in the “doldrums” and “forever light.”

Whether you are a long-time fan or discovering this gem for the first time, this anniversary edition is the definitive way to experience the EP.

Lyrics

“Doldrums”
Sunlight let us in
The world is prone to spin
When what is fast goes slow
When sleep is hope

I swallow a pill and call it life
And hope that the drug will make me right
Out of sight or mind
And will they always follow?

This fight I can win
I’ll make the earth stop
Till I
Wake up, wake up, wake up, wake up
Again, again

I swallow a pill and call it life
And hope that the drug will make me right
Out of sight or mind
And will they always follow?

Where I go
Where I go
Deep in this hole
Here I am

Hey, I cannot begin to keep up with madness
This is the world we know
Did you fall in right after I went?
I am not alone
Not alone

Swallow a pill and call it life
And hope that the drug will
(Here I go)
Make me right
Out of sight or mind
Will they always follow?

“Forever Light”
Saw you happy alone
Knew we would get along
And in your eyes my feeling
Touch the silent kind

It would be a hassle
A social convention
I’m not much for ceremony
Inconvenient, but
Would you bother?
If we had to marry each other?
I believe we’re getting close
Las Vegas knows
Forever light

In the light I can see
You are standing with me
And in this moment I’m so happy
To be here
Because your eyes shine
With the neon light and love

It would be a hassle
A social convention
I’m not much for ceremony
Inconvenient, but
Would you bother?
If we had to marry each other?
I believe we’re getting close
Las Vegas knows
Forever light

Stream the EP

Check it out and have a great day!

#Dronefly #DreamPop #Shoegaze #IndieRock #OverlookHotelRecords

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Recommendations

Fans of atmospheric indie pop might also enjoy the following tracks from our artists roster:

Il Ritorno Dei Morti: New 70s Italian Horror Prog from Alchimia Sonora

Alchimia Sonora - Il Ritorno Dei Morti cover art

The latest single from Alchimia Sonora has arrived, titled “Il Ritorno Dei Morti” (The Return of the Dead). This project is a dedicated homage to a very specific and influential era of cinema: the Italian horror films of the late 1970s and early 1980s.

If you are looking for late-night listening pleasure, crank up the volume on your Walkman and enjoy a midnight stroll through the mausoleum with this track.

A Tribute to Italian Horror

“Il Ritorno Dei Morti” draws directly from the intersection of progressive rock and 1970s Italian horror cinema. Listeners familiar with the genre will immediately recognize the DNA of legendary artists like Goblin, Fabio Frizzi, and Libra. However, Alchimia Sonora avoids simple imitation; instead, the project channels these influences into a sound that feels both authentic to the era and refreshingly modern.

The track features a raw, 1970s prog-rock style characterized by aggressive drums, driving guitars, and plenty of retro-styled keys. It balances the grit of a live rock band with the calculated tension of a film score.

Atmosphere Over Structure

Unlike a standard rock song, “Il Ritorno Dei Morti” favors atmosphere, repetition, and gradual development over conventional verse-chorus structure. It aligns more closely with film scoring than standalone composition.

Analog synthesizers and organ textures are used to establish a sense of unease. The rhythmic foundation maintains a steady, almost ritualistic pulse that drives the track forward without rushing. Themes emerge slowly, repeat, and evolve, reinforcing a sense of inevitability, much like a killer stalking their prey in a Giallo film.

Mood and Suggestion

Rather than relying on overt shock or bombast, the track works through mood and suggestion. The arrangement leaves ample space for dissonance and restraint, allowing the music to feel ominous without becoming cluttered.

This is music designed to evoke imagery. It functions equally well as a standalone listening experience or as an imagined soundtrack cue for a scene that never existed. It is rooted in classic prog sensibilities and the shadowed aesthetics of European horror.

Stream the Single

“Il Ritorno Dei Morti” is available now on all major streaming platforms and Bandcamp.

#ItalianHorror #ProgRock #Goblin #FabioFrizzi #Giallo #AlchimiaSonora

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Purchase on Bandcamp

Syntheticult cover art

Syntheticult: 2 New Tracks of Darkwave Electronic Rock

Syntheticult animated art

Syntheticult has arrived as a potent new force in the label’s roster, offering a unique blend of darkwave, post-punk, and electronic rock styles in an instrumental format. For fans of heavy guitars, cold synths, and hanging out in dark rooms, this project strikes a perfect balance between melody and atmosphere.

Drawing from influences like late-period Killing Joke and the industrial edge of Gary Numan, Syntheticult creates something unusual: music where melody is embraced, but heavy guitars are utilized to drive rhythms while synths build texture.

Two singles have been released, “Full of Empty” and “Momentary Prolifics,” and they are now available for purchase/download on Bandcamp as well as all of the usual streaming platforms.

Review: Full of Empty

The first track, “Full of Empty,” leans into stark contrast and emotional tension. It balances darkwave atmosphere with a rigid electronic rock framework. The composition favors weight and repetition over melodic excess, creating a hypnotic effect.

The synth lines are deliberately cold and unadorned, creating a sense of emotional distance that mirrors the title’s implication. The rhythm is steady and insistent rather than aggressive, allowing the track to build pressure without escalation. Guitars and electronic elements coexist without competing, reinforcing the song’s bleak, inward focus.

Production-wise, it is controlled and dry, avoiding unnecessary sheen. The arrangement leaves space for unease, making “Full of Empty” feel less like a conventional song and more like a sustained mood, direct, reserved, and intentionally unresolved.

Review: Momentary Prolifics

“Momentary Prolifics” continues Syntheticult’s darkwave and electronic rock hybrid but introduces a slightly more kinetic edge. This track relies on movement and texture rather than traditional hooks, unfolding through layered patterns and incremental shifts.

Rhythmic elements provide forward momentum, while synth textures and processed tones introduce tension and instability. There is a mechanical quality to the pacing, offset by subtle variations that keep the track from settling into predictability. Very little feels ornamental; every element serves the structure or the atmosphere.

The production here favors clarity over density, allowing each layer to remain distinct. “Momentary Prolifics” functions well as an immersive listen, rewarding attention without demanding it. It reinforces Syntheticult’s focus on mood-driven composition rather than surface impact.

Stream the Singles

You can listen to both tracks via the players below. If you enjoy the blend of organic aggression and electronic precision, consider supporting the artist on Bandcamp.

#Syntheticult #Darkwave #ElectronicRock #KillingJoke #GaryNuman #Instrumental

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The Sounds of Nightmares 7 by Kevin Hartnell

The Sounds of Nightmares 7: Music for Campfire Radio Theater

The Sounds of Nightmares 7 by Kevin Hartnell

The Sounds Of Nightmares 7: Music Composed For Campfire Radio Theater

Kevin Hartnell presents “The Sounds of Nightmares 7,” a massive collection of 50 tracks of original music composed for the horror anthology podcast Campfire Radio Theater.

This volume compiles the complete scores from three harrowing tales: “Ties of Blood,” “Desecrate,” and the claustrophobic thriller “The Devil and the Deep Blue Sea.” From the supernatural dread of a graveside séance to the crushing pressure of a nuclear submarine, these tracks represent a deep dive into fear.

More episodes are available at Campfire Radio Theater.

Ties of Blood

A rash of abductions in the small community of Red Hill leads a young woman to suspect her mysterious nocturnal neighbor might be hiding a sinister side. Nikki’s inquisitive instincts lead her into a dangerously precarious situation as the mystery deepens.

Desecrate

On All Hallows’ Eve, a graveside ouija board session descends into a nightmare unveiling a web of lies and betrayal between longtime friends… and perhaps a doorway to something far more disturbing.

The Devil and the Deep Blue Sea

Wrestling with his own inner demons, the captain of a nuclear submarine must face the haunting prospect of a world perhaps beyond the brink of annihilation as well as a ghostly spectre tracking them in the abyss.

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#CampfireRadioTheater #HorrorPodcast #Composer #KevinHartnell #Soundtrack #Score

Kevin Hartnell - Endless Sky cover art

Kevin Hartnell – “Endless Sky”

Kevin Hartnell - Endless Sky cover art

“Endless Sky” is now available on Bandcamp for purchase/download. “Endless Sky” was originally written for “Last Resort,” an excellent episode of Campfire Radio Theater, a horror anthology podcast. The power ballad features the incredible vocal performance of Josh Paulino.

Lyrics

Under an endless sky
The night would pass us by, again
The reverie of youth
Taught us to fly, again

Running through a field of time
Hand in hand, with dreams in mind
Innocence and love sublime
An abyss to seek and find

I was the first to fall
I knew I had it all, again
And yet just like a dream
I knew I had to wake, again

Running through a field of time
Hand in hand, with dreams in mind
Innocence and love sublime
An abyss to seek and find

Under an endless sky
Night passed us by
Again
Reverie of youth
Has passed us by
Again

Running through a field of time
Hand in hand, with dreams in mind
Innocence and love sublime
An abyss to seek and find

Credits

Released March 1, 2023
Kevin Hartnell – drums, guitar, bass, lead guitar, keys, lyrics, composition
Josh Paulino – vocals, backing vocals

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Plastic Horizon - Analog Nightmare cover art

Analog Nightmare: New Horrorwave Tribute to VHS Classics

Plastic Horizon - Analog Nightmare cover art animated

Plastic Horizon returns with “Analog Nightmare,” a track dedicated to the golden era of late-night television broadcasts and worn-out VHS tapes. This horrorwave/synthwave composition is a direct tribute to the fans of late 70s and early 80s horror cinema.

If you grew up watching classics like Phantasm, Halloween, Dawn of the Dead, Suspiria, Evil Dead, or Creepshow, this track was written for you. It captures the dread of those midnight screenings.

A Study in Unease

“Analog Nightmare” leans into unease rather than momentum. This composition favors texture, tone, and cinematic atmosphere over overt melodic development.

The sound palette is deliberately narrow and controlled. Synth lines feel worn and slightly unstable, mirroring the warble of an old cassette tape. This reinforcement of tension is central to the track’s identity; rather than resolving themes cleanly, it allows motifs to linger and repeat, creating a slow-building discomfort that never fully dissipates.

Cinematic Texture Over Structure

Rhythmically, the track is restrained. The pulse serves as an anchor rather than a driver, keeping the music moving without pushing it forward aggressively. This gives “Analog Nightmare” a distinct quality closer to a background score or a late-night transmission than a conventional pop song structure.

Production choices reinforce this concept at every turn. Saturation, noise, and subtle degradation are used purposely, not as ornamentation, but as part of the narrative itself. The result is a track that feels claustrophobic and focused, designed for immersive listening rather than immediate impact.

For Fans of Darker Sounds

“Analog Nightmare” fits comfortably alongside darker electronic music that prioritizes mood and restraint. It avoids the clichés of the genre in favor of something more unsettled.

Go ahead, turn off the lights, turn up the music, and let the static wash over you. Have yourself a great weekend, if you can sleep.

#Horrorwave #Synthwave #Darkwave #PlasticHorizon #VHS #HorrorSynth

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Before After Again - Solitude cover art

Before After Again on Isolation Radio

Band photo of Before After Again (Kevin Hartnell on the left, Jason Whitcomb on the right)

Thanks to DJ Black at Isolation Radio for playing “Solitude” by Before After Again on Episode 161! Isolation Radio presents an excellent selection of darkwave, dark electro, goth coldwave, and synthwave music.

Have a listen and share it with friends!

Before After Again - Shame cover art

Shame: New Darkwave Post-Punk Single from Before After Again

Before After Again - Shame cover art animated

Today we highlight the latest release from the electronic rock project Before After Again. Titled “Shame,” this track is a moody, atmospheric piece that sits comfortably at the intersection of post-punk, darkwave, and a restrained sense of groove. It is the perfect soundtrack for rainy days, sleepless nights, or late-night drives through the city.

While Before After Again is known for exploring the darker, more industrial corners of electronic rock, “Shame” introduces a rhythmic sensibility that sets it apart from standard genre fare. It balances tension with movement, leaning on rhythm and repetition rather than dramatic shifts or wall-of-sound layering.

The Unique Sound of Shame

What immediately makes “Shame” distinct from its contemporaries is the undercurrent. In a genre often defined by rigid, mechanical drum machine beats, this track offers something different: a steady, slightly funky foundation. The bass and rhythm elements lock together to provide a groove that keeps the song grounded. It is rare to find a darkwave track that makes you want to move in quite this way, but the rhythmic drive is undeniable.

This “groove-first” approach allows the other instruments to breathe. Guitars and synth textures are used sparingly throughout the arrangement. Instead of creating a chaotic wall of noise, they add sharp edges and atmospheric washes without crowding the mix. Nothing in the arrangement overstays its welcome, and each musical part feels placed with specific intent to serve the motion of the track.

Production and Atmosphere

The production philosophy on “Shame” is one of cleanliness and uncluttered space. The mix favors clarity and balance, ensuring that the unique rhythm section carries the song while preserving the darker character associated with post-punk.

Vocally, the track maintains a controlled, direct presence. The delivery avoids the melodramatic theatricality often found in goth or darkwave music. Instead, it reinforces the song’s inward tone, keeping the focus on the mood rather than a grand performative statement. The result is a track that feels self-contained, disciplined, and disciplined.

Lyrical Themes: The Cycle of Blame

The lyrics of “Shame” explore difficult themes of regret, manufactured change, and emotional scarring. They paint a picture of a relationship, or perhaps an internal dialogue, marked by a cycle of pain.

Phrases like “the blade that you use is rusted and cold” suggest deep-seated, possibly old wounds that are being reopened. The recurring line “savor the taste of the change” hints at a bitter acceptance of a new, darker reality. It is a narrative about a “captivated mind” left to wonder about shelter and safety that never arrived.

Full Lyrics: Shame

I don’t know
How you do what you do
Accept the way
The way that I feel

And the pain that I
The pain I’ve gone through
I won’t be fooled once again
Won’t be left here alone

To feel all the shame and the blame
As I savor the taste of the change
To feel all the shame and the blame
As I savor the taste of the change

A captivated mind
Will be left here to wonder
About all of the times
It was left without shelter

You don’t know
How you cut into me
The blade that you use
Is rusted and cold

And the screams that I
Deny come from me
They’re all piercing the wounds
While the blood pools the ground

To feel all the shame and the blame
As I savor the taste of the change
To feel all the shame and the blame
As I savor the taste of the change

A captivated mind
Will be left here to wonder
About all of the times
It was left without shelter

Stream the Single Now

“Shame” is available now on all major streaming platforms and Bandcamp. If you are a fan of dark alternative music that prioritizes feel over volume, this is an essential listen.

You can listen to the track via the players below.

#PostPunk #Darkwave #ElectronicMusic #BeforeAfterAgain #Shame #Groove

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Plastic Horizon - Future of the Past cover art

Future of the Past: A Top 5 Cinematic Synthwave Track by Plastic Horizon

Plastic Horizon has a deep catalog of electronic music, but few tracks have resonated with listeners quite like “Future of the Past.” Currently ranking in the Top 5 tracks for the artist on Spotify, this composition fully embraces a retro-futuristic style that is as cinematic as it is catchy.

“Future of the Past” is easily one of the strongest productions in the Plastic Horizon discography. It captures a specific mood, optimistic yet wistful, driving yet spacious, that defines the project’s identity.

The Melodic Core of Future of the Past

The track is structured around a clear, repeating melodic figure that carries the listener from start to finish. Unlike more chaotic electronic compositions that shift wildly between themes, this central motif appears early and remains the anchor. It returns in slightly varied forms throughout the runtime, creating a sense of familiarity and consistency that is a large part of the track’s appeal.

The harmonic movement supports this melody with stability. Changes are incremental; instead of jarring modulations, the track relies on layering and subtraction to shape its arc. Pads widen and recede, and secondary lines enter briefly before falling away, ensuring the focus remains locked on that core motif.

Cinematic Sound Design

Sonically, “Future of the Past” is defined by smoothness and control. The synth tones are polished, with minimal grit or instability. There is little use of overt distortion here with the exception of the subtle guitar work; the sound design favors clarity and cohesion. This approach contributes to the track’s cinematic feel, evoking wide-screen vistas and neon skylines without requiring overly-dramatic dynamics or overwhelming volume.

The rhythm section reinforces this approach. The pulse is steady and unintrusive, firm enough to create forward motion but restrained enough to avoid pulling attention away from the melodic content. Percussive elements are clean and evenly placed, reinforcing the structure rather than driving intensity for its own sake, and finally peak in the breakdown.

The Guitar Lift

While the synthesizers provide the texture, the secret weapon of “Future of the Past” lies in its guitar work. Subtle electric guitars provide a crucial lift to the arrangement. They don’t dominate as lead instruments in a traditional rock sense; rather, they build texture and drive.

Particularly after the breakdown, the guitars push the track toward its conclusion, adding a layer of organic energy and drive that synthesizers alone cannot achieve. This interplay between the mechanical precision of the electronics and the human touch of the guitars gives the finale a triumphant, anthemic quality.

Stream the Single

If you haven’t heard this fan-favorite yet, now is the time. “Future of the Past” is available on all the usual streaming/downloading sites.

Please share, subscribe, like, ring the bells, add it to your playlists, and have yourself a great weekend!

#Synthwave #Cinematic #RetroFuture #PlasticHorizon #Instrumental

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Trinity & Triage - Purposeful Mess cover art

Trinity & Triage – “Purposeful Mess”

Ten years ago, Trinity & Triage released a self-titled album with 11 tracks of psychedelic rock, progressive rock. Ralph Feetham composed the music, Deanna Quijada wrote lyrics and performed vocal duties, while Kevin Hartnell contributed various instrumentation, production, arrangements and mixing. Fans of Trinity & Triage should also check out the updated release of the first album as it contains extra tracks.

Fast forward ten years and the release of “Purposeful Mess” has arrived. The track was originally slated to be released on the first album, but didn’t make the initial cut. Fans of Kate Bush, Mazzy Star, Opal, and Dead Can Dance take note. We hope you enjoy this look into the archives from Trinity & Triage.

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