Music

The Sounds of Nightmares 9 by Kevin Hartnell - cover art

The Sounds of Nightmares 9: Original Horror Score for Campfire Radio Theater

The Sounds of Nightmares 9 by Kevin Hartnell - cover art

The Sounds Of Nightmares 9: Music Composed For Campfire Radio Theater

Kevin Hartnell presents “The Sounds of Nightmares 9,” featuring 33 tracks of original music composed for the horror anthology podcast Campfire Radio Theater. This volume spans centuries of terror, moving from the neon-lit pulse of a modern crime city to the fog-drenched moors of 19th-century England.

This collection features scores from three distinct tales: “Blood Drive,” “Hollow Born,” and “October Gods.” My connection with Campfire Radio Theater continues to be a creative highlight, allowing me to explore diverse musical landscapes, from the sinister beats of a nightclub to the atmospheric dread of a haunted estate.

Please consider supporting the show by listening to the full episodes where these tracks appeared at Campfire Radio Theater.

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The Sounds of Nightmares 9: what this volume covers

This release showcases the series’ ability to jump between sub-genres. “Blood Drive” required a driving, rhythmic score to match a sinister urban underworld. “Hollow Born” shifts to a gothic, classical texture suited for 19th-century survival horror. Finally, “October Gods” delivers pure seasonal folk horror with a hint of Burtonesque vibes, capturing the wrath of an entity lurking in a pumpkin patch.

Below, you can play the episodes directly on the page. If you prefer to jump straight to listening to the scores, use the Spotify and Bandcamp embeds at the bottom. Bandcamp is also the best option if you want to support the work directly.

Blood Drive

In the midst of a crime infested city, a lone uber driver’s late-night fare takes a terrifying turn when her passenger leads them to a dance club pulsing with sinister secrets.

Hollow Born

On the haunted moors of 19th century England, blood and legacy awaken something buried and long forgotten beneath the dreaded House of Whitmore.

October Gods

A rebellious teen defies the rigid rules of a small town’s mysterious pumpkin patch, unleashing a wrathful entity.

Listen to the Scores

If you prefer uninterrupted listening, use the full-album players below. Spotify is convenient for streaming and playlists. Bandcamp is ideal if you want high-quality playback and direct support. If you are sharing the release, linking to this page is also useful because it keeps the episode scores and album players in one place.

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#AudioDrama #Horror #Soundtrack #Score #CampfireRadioTheater #KevinHartnell

Meridian Drift single cover art by Plastic Horizo

Meridian Drift: New Dreamwave Single by Plastic Horizon

Meridian Drift single cover art by Plastic Horizo

Plastic Horizon invites listeners to slow down and look upward with the release of the new single, Meridian Drift. Moving away from high-octane beats, this track leans heavily into a slower, dreamy synthwave atmosphere, offering a sonic escape for those seeking reflection.

A Journey Into Dreamwave

Meridian Drift is a journey into mood. It features shimmering textures and lush, reverb-heavy pads that evoke the feeling of a late-night drive under a canopy of stars. The production focuses on space and depth, allowing the listener to drift along with the melody rather than being pushed by it.

This release captures the essence of the “chillwave” and “dreamwave” sub-genres, prioritizing emotion and atmosphere over aggression. It is a track designed to transport you toward an ocean of stars and the limitless horizons beyond.

Listen & Support

Released by Overlook Hotel Records, this single adds a serene chapter to the Plastic Horizon catalog. It stands as a testament to the versatility of synth music, proving that quiet moments can be just as powerful as loud ones.

Stream Meridian Drift Now

Meridian Drift is available now on all major streaming platforms. You can support the artist directly by purchasing the track on Bandcamp or streaming it on Spotify using the players below.

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Rainswept Skyline single cover art by Plastic Horizon

Rainswept Skyline: New Synthwave Single by Plastic Horizon

Plastic Horizon invites you to take a walk through a digital city with the release of the new single, Rainswept Skyline. This track leans heavily into a late-night, reflective synthwave atmosphere, combining lush, layered pads with a steady, driving groove that feels like a lonely drive down a neon-lit highway.

From High-Fidelity to 8-Bit Dreams

The defining moment of Rainswept Skyline comes in its final minute. As the main melody fades, the track undergoes a unique sonic transformation. The high-fidelity production slowly dissolves, degrading bit by bit until the listener is left in a completely different world.

This closing section features an 8-bit-inspired fade that shifts the mood entirely toward a retro-digital space. It creates a dreamlike effect, pulling the listener into a pixelated world where it is raining in a city at night, a perfect sonic representation of 1990s video game nostalgia meeting modern synthwave production.

Release Details

Released via Overlook Hotel Records, this single continues Plastic Horizon’s exploration of narrative-driven electronic music. It stands out in the discography for its unique structural evolution and emotive storytelling without words.

Stream Rainswept Skyline Now

Rainswept Skyline is available now on all major streaming platforms. You can support the artist directly by purchasing the track on Bandcamp or streaming it on Spotify using the players below.

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Plastic Horizon - Friday the 13th cover art

Friday the 13th: New Darkwave Single by Plastic Horizon

On the ominous date of Friday, June 13, 2025, Plastic Horizon officially released the single Friday the 13th. Capturing the eerie essence of the date, this track delivers an atmospheric blend of retro-inspired synth textures and heavy darkwave tones.

A Soundtrack for Superstition

Few dates carry as much cultural weight as Friday the 13th, and Plastic Horizon leans heavily into this mystique. The track serves as a sonic nod to superstition, utilizing minor-key arpeggios and reverb-drenched percussion to create a soundscape that feels like it belongs in a vintage horror soundtrack.

While staying true to the project’s synthwave roots, this release explores darker territory. It moves away from neon sunsets and into the shadows, offering listeners a tense, cinematic experience that builds suspense from the first measure to the last.

Release Details

Released via Overlook Hotel Records, this single marks another distinct entry in the Plastic Horizon discography. It showcases the artist’s ability to shift moods, transitioning from high-energy outrun to brooding atmospheric composition.

Stream Friday the 13th Now

Friday the 13th is available now on all major streaming platforms. You can support the release by purchasing it directly on Bandcamp or streaming it on Spotify using the players below.

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One Red Arrow Part 1 soundtrack by Kevin Hartnell - cover art

One Red Arrow Part I Audiobook – Thrilling, Cinematic 2025 Release

One Red Arrow Part I audiobook and original score are now available – listen on Audible and stream the complete score below.

About the Story

One Red Arrow, Part I is a supernatural thriller that blends small town mystery with an unsettling force that hides in the woods. It follows Kay McQuinn as she returns to Owlsbourne, a town reshaped by the reach of BlackHole Pharmaceuticals. A strange encounter grants her an otherworldly gift, and with the help of Nick Knight she begins to unpick old legends, buried secrets, and a truth that is far darker than expected.

Synopsis

In the fall of 1989, Jonny Langley, a hunter from Owlsbourne, Connecticut, vanished without a trace. Three days later, he returned, disoriented and with no memory of what had happened to him.

No one suspected that Jonny’s disappearance would be connected to the bodies discovered more than three decades later.

In 2024, burned out artist Kay McQuinn returns to her decaying hometown. Owlsbourne is a shell of what it once was, its spirit gutted by the rise of BlackHole Pharmaceuticals, a corporation whose reach seems endless. With her life in freefall, Kay finds comfort in the woods and the McQuinn family tradition of bowhunting.

But one cold November morning, something finds her.

A surreal encounter leaves her with a strange, otherworldly power, and a glimpse into a darker reality just beneath the surface. As she struggles to understand what is happening to her, she turns to Nick Knight, a steady childhood friend.

Together, they must unravel the legends of the woods, uncover the secrets of BlackHole, and confront a truth far more sinister than either of them could have imagined.

Synopsis source: Amazon product listing

One Red Arrow Part I Audiobook

The full cinematic audiobook is live on Audible, with performance by Melissa Medina and sound design by John Ballentine. You can listen to the preview and begin the journey today. Start the One Red Arrow Part I audiobook on Audible now.


Listen on Audible

Listen on Audible

John Ballentine on the Production

Earlier this year, @cult.class approached me with an exciting opportunity to help produce an audiobook for her new novel. Once we got @melissamedinavo and @kevindhartnell on board, I knew we had the team to make Caitlyn’s pulse pounding story leap off the page. ONE RED ARROW, a thrilling supernatural adventure, is now live on Audible. Just listen to the preview and you will be hooked. Support this independent artist and writer.

From the Author

…I recently wrote my debut novel, One Red Arrow, Part I. It is a supernatural thriller and creature feature with a female lead. Every piece of art that I make carries a piece of me, and this book is no exception. It took three years to write.

The self promotion can feel tiring, although I believe in this story, and as an independent author and publisher sharing it myself is the way to bring it to readers. Every order matters and helps visibility. The novel is available anywhere you buy books online, and the full cinematic audiobook is on Audible…

Credits

Official Release: 21 August 2025
Author: @cult.class (Caitlyn Grabenstein)
Narration: @melissamedinavo (Melissa Medina)
Sound Design: @campfireradiotheater (John Ballentine)
Original Score: Kevin Hartnell
Format: Novel and cinematic audiobook

About the Score

The soundtrack is built almost entirely with synthesizers and with a touch of guitar. The tone is dark and retro futuristic with a current edge, inspired by classic genre work and by Stranger Things. One featured instrument is based on the Blaster Beam created by John Lazelle, which adds a resonant metallic presence that suits the atmosphere of the story.

Availability
The novel is available through major online booksellers. The One Red Arrow Part I audiobook is available on Audible.

Hashtags: #OneRedArrow #audiobook #audiobooklover #writersoninstagram #indieauthor #horror #supernatural #soundtrack #synthwave

Further reading: News · Discography


Listen on Audible

Listen on Audible
Murkvael animation

Murkvael – The Ruins of Korraveth: Dark Ambient Music for D&D

The Ruins of Korraveth by Murkvael - cover art

Murkvael: “The Ruins of Korraveth”

Kevin Hartnell introduces Murkvael, a new dark ambient project rooted in ritual drone and medieval sonic textures. The debut single, “The Ruins of Korraveth,” is a slow descent into a vast ruined city swallowed by darkness and memory.

Clocking in at nearly seven minutes, this track was composed specifically for use in tabletop RPGs like Dungeons & Dragons, yet it stands on its own as a meditative exploration of decay. It evokes the slow rot of time, where melody yields to mood, and rhythm dissolves into ruin.

Designed for the Tabletop

“The Ruins of Korraveth” serves as a brooding backdrop for cursed ruins, ancient temples, or grim exploration scenes. It is designed to be loopable and unobtrusive, perfect for Game Masters looking to enhance immersion without distracting players from the narrative.

Ideal applications include:

  • Dungeon exploration scenes
  • Grimdark or horror campaigns
  • Solo journaling RPGs
  • Long-form ambient playlists

(Note: This track is free to use in private game sessions. For commercial streams, please provide a link back to this page.)

About Murkvael

Murkvael is the sound of forgotten crypts echoing with ancient hymns. Conjured from a background in horror scoring and narrative audio, this project crafts immersive atmospheres for cursed lands and lost realms beneath the earth. Each composition serves as an aural reliquary: dust-covered, blood-marked, and steeped in occult resonance.

#Murkvael #DarkAmbient #DungeonsAndDragons #TTRPG #FantasyMusic #OverlookHotelRecords

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OVERLOOK HOTEL RECORDS TURNS 26

Overlook Hotel Records: 26 Years of Independent Innovation

Overlook Hotel Records: 26 Years of Independent Innovation

⌬⌬⌬⌬⌬⌬⌬⫷ OVERLOOK HOTEL RECORDS ⫸⌬⌬⌬⌬⌬⌬⌬

Founded in August 1999, Overlook Hotel Records began as a personal creative outlet and has since evolved into an independent label and archive, releasing music that is weird, beautiful, experimental, and occasionally rediscovered from the vault.

A Bit of History

The foundation for Overlook Hotel Records was laid in the early 1990s when I was living in Nashville, Tennessee. I owned an Amiga 500 and was using OctaMED to create music modules, inspired by musicians such as Dr. Awesome, Jesper Kyd, and Frédéric “Elmobo” Motte (not to be confused with the American artist Moby). The 8-bit sampling and digital audio editing possibilities were endlessly fascinating to me.

If you would like to read the full background on my electronic music origins, you can find that here: Origin Story.

In late 1993, I moved to Cincinnati, settling into an apartment just a block away from the legendary Sudsy Malone’s and Bogart’s, two essential music venues of the time. By the late 1990s, I owned a Korg Triton and had already begun learning the early versions of Pro Tools.

It was during this period that a friend of mine, Paul, came down from New York City to record a handful of tracks. We released them independently. That effort marked the true beginning of Overlook Hotel Records – and of a lifelong, all-consuming passion for writing and recording music. It eventually led to the construction of a modest home studio, where much of the label’s output has taken shape.

The Creative Drive

Although I have nearly fifty years of experience as a drummer, what I find most fulfilling is the process of songwriting, arranging, and producing. Since childhood, I have been captivated by the mystery of music – its construction, its origin, and the people behind it. I spent countless hours singing or drumming along to records, trying to replicate what I heard using the instruments I had on hand. That natural curiosity evolved into creating my own interpretations, variations, and eventually, entirely original compositions.

It was only once I began focusing on becoming a multi-instrumentalist that everything truly expanded. Rhythm and grooves have always come naturally – but melody is where the real magic unfolds for me.

Remembering the People

I have had the privilege of working with many musicians over the years, some of whom were extraordinarily talented. A few are no longer with us. One of them was a best friend from high school – an astonishing guitarist with a surreal sense of humor, ambition, and vision. His eccentricities gave the impression he came from another planet, which I absolutely loved. He had moved to California to find his place in the music scene and had asked me to move there as well. At the time, I was still living in a small town, holding on to a short-sighted viewpoint of things. Tragically, he died in a car accident just before his twenty-first birthday.

It was because of him that I first picked up the guitar. That moment eventually led to buying my own Fender Stratocaster, then keyboards, bass, and so on. His influence continues to echo in some capacity  through nearly everything I create.

Now, decades later, I have worked on thousands of recordings and continue to make it a part of my daily life.

Catalog Stats

  • 36 LPs
  • 7 EPs
  • 74 Singles
  • 871 Tracks
  • 17, 729 Folders
  • 472,050 files
  • 4.09 TB

Total music duration: 1 day, 16 hours, 18 minutes, and 51 seconds

Genres

  • Synthwave / Synthpop
  • Medieval
  • Bellydance / Middle Eastern
  • Post-Punk / Darkwave
  • Progressive Rock / Classic Rock
  • Glam / Sludge / Doom
  • Disco / Psychedelic
  • Giallo / Score / Soundtrack
  • Industrial / Dark Ambient
  • Americana / Folk / Southern Rock

And plenty that defies categorization altogether.

Notable Highlights

  • Most Prolific Year: 2024, with 51 new releases
  • Longest Release: Disturbed by Kevin Hartnell (3:58:26) – R237-036
  • Shortest Release: Retro Ident by Plastic Horizon (0:00:11) – R237-093
  • Most Tracks on One Release: The Sounds of Nightmares 5 (55 tracks) – R237-029
  • Curious Match: Echoes by Plastic Horizon (R237-039) runs exactly 2:37 – matching the label code

The vault holds hundreds of unreleased tracks, with new material written and recorded every week – sometimes daily.

Overlook Hotel Records is not just a label. It’s a living archive of underground sound.

Thanks to everyone who’s listened, collaborated, supported, or wandered through these sonic hallways.

⧉═══════〔 KEVIN 〕═══════⧉

A pile of magnetic tape in a soft focus, nostalgic look.

Musicians

Thanks is due to each of these musicians:

  • Daniel Åhlman
  • Bruno Andersen
  • John Andrews
  • Sonja Arnold
  • James Asokere
  • Dani Aviles
  • Nick Bailey
  • Jason Baity
  • Dan Baechle
  • Joe Bartoldus
  • Trevor Bates
  • JC Beziz
  • Vic Bonato
  • Troy Brant
  • Rich Brown
  • Kelly Bushue
  • Michael Carta
  • Mike Cavanaugh
  • Brent Chasteen
  • Rob Ciccone
  • Stuart Clements
  • Doug Cosby
  • Kevin Daniels
  • Chuck Davidson
  • Jimmy D. Davidson
  • Troy Davis
  • Chris Donnelly
  • Xan Eden
  • Henri Eisenbaum
  • Toby Ellis
  • Mark Engel
  • Sergey Engel
  • Danny Evans
  • Daniel Fagg
  • Ralph Feetham
  • Jannik Fuchs-Gade
  • Asaf Gabay
  • Todd Gerber
  • Rob Glass
  • Mika Greiner
  • Michael Duane Hancock
  • Jason Harding
  • Devon Hartnell
  • Vincent Hammerstein
  • Anja Herrmann
  • William Hezlep
  • Ric Hickey
  • Kyle Hinck
  • Jim Hill
  • Joe Hill
  • August Hoerr
  • Darren Houghton
  • Jason Hotchkiss
  • Mike Huang
  • Mark Hudson
  • Tony Inosencio
  • Jack Ison
  • David Johnson
  • David Jones
  • Mark Joscher
  • Marty Keil
  • Richard Kean
  • Mark Kenneth
  • Dan Kieffer Sr.
  • Frank Kennedy
  • Stefanie Kisamore
  • Todd Kirby
  • Kazuki Kozuru
  • David Kuckhermann
  • Bruce Livesay
  • Derek Mason
  • Andrew May
  • Ann May
  • Jim Mays
  • Ronnie Meyers
  • Jack Mills
  • Jeff Mills
  • Mini
  • Keith Morgan
  • Warren G. Morgan
  • Frank Motör
  • Ambrose Newton
  • Fredrik Notling
  • Diego Almeida Torres
  • Dan Olivera
  • Lawrence Osborn
  • Rune Palland
  • Raveen Panday
  • Philippe Pansard
  • Josh Paulino
  • Bjorn Pehrson
  • Ian Pellow
  • Herman Perry
  • Magne Pettersson
  • Jeremy Pittman
  • Anders Plassgard
  • Roy Peters
  • Scott Ponder
  • Deanna Quijada
  • Dave Quick
  • Peter Rand
  • Tim Reid
  • Greg Reynolds
  • Kip Roe
  • Larry Rone
  • Seido Salifoski
  • Barry Shook
  • Jon Silpayamanant
  • Larry Smith
  • Sabine Stola
  • Antoni Tashev
  • Gary Teel
  • Judy Teo
  • Henry Thomas Jr.
  • Ian Tsang
  • Steve Tucker
  • Ralph van der Heijden
  • Hakan Vreskala
  • John Walker III
  • Andrew Wells-Oberegger
  • Jonathan David West
  • Bryce Whitcomb
  • Jason Whitcomb
  • Tyler Whitcomb
  • Mat Williams
  • Richard Williams
  • Jay Wilson

((( ● LISTEN ● )))

((( ● LISTEN ● )))

Before After Again returns with "These Are Not Men," a darkwave anthem about the machinery of power and dehumanization. Stream it now.

These Are Not Men: New Darkwave Single by Before After Again

Before After Again - These Are Not Men cover art

Before After Again returns with a stark new release titled These Are Not Men. This track is a darkwave transmission from the edges of control and collapse, blending icy analog synthesis with a precise, mechanical rhythmic structure.

The Machinery of Power

Lyrically blunt and sonically sharpened, These Are Not Men examines the machinery of power and the erosion of identity in its wake. The song channels themes of dehumanization, spectacle, and decay into a hypnotic synth-laced performance. It is not a song for dancing away the end of the world; it is a soundtrack for those who sit still and watch it burn.

The refrain, “I’ll be here standing down, smiling while we watch you die…” captures the cold detachment of the observer. There is no catharsis here, only the quiet certainty that what we are witnessing isn’t human anymore. It is a harsh anthem for collapsing systems and the monsters they breed.

Release Information

Released via Overlook Hotel Records, this single solidifies the band’s reputation for crafting dense, thought-provoking electronic music. It is a must-listen for fans of minimal synthpop and industrial-tinged darkwave.

Stream These Are Not Men Now

These Are Not Men is available now on all major streaming platforms. You can support the band directly by purchasing the track on Bandcamp or streaming it on Spotify using the players below.

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Weakness single cover art by Before After Again

Weakness: New Synthpop Single by Before After Again

Before After Again has released a powerful new single titled Weakness. This track seamlessly blends the structural hooks of classic synthpop with the emotional weight of darkwave, creating a soundscape that obsesses over collapse, control, and finding beauty within the wreckage.

Deconstructing “Weakness”

From the opening notes, Weakness establishes a mood of tension. The lyrics paint a picture of internal conflict and external chaos. Lines like “Loss of all security” and “Blinded eyes that can’t believe what’s happened” speak to a sudden, jarring shift in reality, a moment where the ground falls out from underneath you.

Musically, the track mirrors this instability. While the beat is driving and danceable, the synth textures are laced with melancholy. It is a song for the dancefloor at the end of the world, where the only option left is to let the music take you down.

Lyrical Themes

The chorus, “You’re my weakness, come and take me,” acts as both a confession and a surrender. It explores the dangerous allure of vulnerability. Is it a person, a habit, or a memory that serves as the weakness? The ambiguity allows the listener to project their own struggles onto the track, making it a deeply personal listening experience.

Listen Now

Released via Overlook Hotel Records, Weakness is available now on all major streaming platforms. You can support the band directly by purchasing the track on Bandcamp or streaming it on Spotify using the players below.

Before After Again - Weakness cover art animation

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Nothing Inside animation

Nothing Inside: New Single by Kevin Hartnell Feat. Timothy Reid

Nothing Inside single cover art by Kevin Hartnell

Continuing the ongoing archive series, I am excited to share a track that originated back in January of 2020. Titled Nothing Inside, this single explores the intersection of rock instrumentation and electronic production, resulting in one of the more dynamic entries in my catalog.

Featuring Timothy Reid

A major highlight of this release is the contribution from collaborator Timothy Reid. His guitar solo on this track is a resonant display of technical brilliance and emotional depth. It captures a specific, soaring quality that lifts the song’s energy in the bridge. For those familiar with his work, it is exactly the kind of melodic phrasing you have come to expect from such a talented musician.

Themes of De-Evolution

Lyrically and thematically, the song is inspired by the paradox of the modern age: the rapid advances in technology contrasted with what feels like a cultural regression. It asks the question of whether we are moving forward or sliding backward.

Perhaps the band DEVO was right all along about the concept of “de-evolution.” Nothing Inside is a sonic reflection on that idea, a critique of the emptiness that can hide behind a shiny, high-tech veneer.

Listen Now

You can stream Nothing Inside now on all major platforms. Visit the Kevin Hartnell Artist Page for more releases, or support the music directly on Bandcamp.

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